I rushed out to see the premier showing of this movie as a result of being impressed with the promising looking trailers for the film. My initial fears of a somewhat hollow movie (remember Tron Legacy from the same director a few years ago) fortunately turned out to be completely unfounded.
Kosinski’s directorial debut – Tron Legacy – was somewhat of a disappointment, particularly considering the acting behemoth at his disposal by the name of Jeff Bridges, the ample budget to thrift away on visual wizardry, and the most exhilarating of musical scores by Daft Punk. But alas, it turned out to be a classic case of style and aesthetics over substance. In Kosiniski’s defence however he did not write the script for Tron Legacy, one of the key elements which let the movie down so much (along with the piss poor dialogue). He did however co-write the screenplay for this movie. And it was not found wanting by any stretch of the imagination.
Before watching this movie I checked out a few online reviews as I normally do before watching these kinds of films. The first one I stumbled across was a review written by a journalist from the Guardian broadsheet. It reads: “A bafflingly solemn, lugubrious and fantastically derivative sci-fi…..with little snippets of Top Gun.” What!!! What is this guy on? Did he actually watch the right movie? Perhaps he accidentally saw GI Joe or something by mistake. I would have expected such a comment from someone who writes for a right wing newspaper, but the Guardian is actually a left wing paper (I know – I double checked just to be sure.)
It is near impossible nowadays to make any sci-fi movie that bears absolutely zero resemblance, visually or with respect to plot references, to any sci-fi movie that went before it. However a good sci-fi movie will have enough of its own ideas and original plot line to bring genuine surprise and suspense to an audience. And this movie meets this criteria with flying colours. In addition to the suspenseful plot line, solid lead role by Tom Cruise, and incredible visuals, there is plenty of atmosphere too. And not only are the visuals very impressive but they are also very innovative, as one might expect from a former visionary architect.
And the fact that Joseph Kosinski is a former architect really shines through in the gorgeous aesthetic design of this film (as it did in some respects with Tron Legacy too). Aside from the amazing computer generated effects there is lots of stunning cinematography (I’m pretty sure of Iceland) that has clearly been computer enhanced (courtesy of Photoshop I think).
From the trailers I was already expecting the film to be quite spectacular on a visual level, and in that respect it certainly didn’t disappoint. But in terms of quality of plot this film far exceeded my expectations. In no way does this film resemble a typical summer blockbuster pop corn movie. Whilst the film admittedly does not demand huge amounts of grey matter to comprehend what is going on, it does nonetheless have a lot of soul to it. And there are some great plot twists to boot. I certainly don’t see how anyone could legitimately complain this film is too predictable.
Without question the best movie of the year so far (for what that is worth). I would have loved to see this in IMAX (or even 3-D wouldn’t have been bad). But even on a plain old fashioned 2-D screen this movie impacts hugely on a visual level.
This is my favourite genre of film – a sci-fi with soul!